Abstract

ABSTRACT This article analyses how British popular music culture defined and responded to Krautrock, a subgenre of West German underground rock, during the 1970s. It examines and contextualises British and West German interactions in popular music immediately before Krautrock and at the time of its early definition. The article then explores how so-called Krautrock bands related to the British public and press and how they were described and understood in relation to their nationality. The article suggests that stereotypes and prejudices, shaped by the memory of World War 2, remained a significant aspect of British discourse on West Germany into the 1970s. However, interest in Krautrock gave rise to social and cultural interactions that inspired some to challenge and renegotiate ideas of Germany and Germanness. To some, bonds made through music, culture and politics proved more profound than the history of conflict between Britain and Germany.

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