Abstract
The originality of the individual style of Natalia Martyniuk, an artist, teacher of the Odessa Art College was investigated. The author identifies and studies the motives and images of woman, flowers and herbs, music, poetry, city, crystals. The improvisational nature of the creative process is considered. Artistic analysis shows the influence of decorative art on the large-scale stylization of easel graphics and painting. Artistic and stylistic analysis of compositions has been conducted. The structures based on the “lines of force” and the rhythms of the avant-garde of the early twentieth century were analyzed. The interrelation of Martynyuk’s creativity with the global artistic heritage has been shown. It is concluded that the poetic content of the works of the artist can be described as neo-romanticism and the form—as polystylism.
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