Abstract
A selection of literature suggests that gay Asian men are considered unattractive and undesirable, because they are socially positioned as “feminine” in the gendered hierarchy of White centered hegemonic masculinity among gay men. However, the author questions why the discourse of oppression is the only way to interpret performative aspects of gay Asian cultural identity constructions in this multicultural and globalized era. In identifying with such labeling, he perceives multiple “realities” of performative aspects of its cultural identity constructions, since the perception of Asians in the West has been in constant change. Thus, this analysis utilizes performance autoethnography to explicate the author's personal text; the process of negotiating performative aspects of gay Asian cultural identity construction in the heteronormative world.
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