Abstract
In visual narratives such as comics, national images are actually depicted. While Franco-Belgian comics have been the subject of detailed studies regarding the national stereotypes they convey, Flemish comics have been largely ignored. This article focuses on three albums of the Flemish comic series Suske en Wiske, in which the heroes travel to a fictitious Eastern Bloc country, Japan, and China. It will examine how both hetero-images and auto-image are presented (visually, textually, and as part of the plot), and how comic characters may combine contradictory ethnotypes. As it will turn out, in the early album (1945) ethnotypes are perpetuated, whereas in later ones (1984, 2008) they are rather undermined.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
