Abstract
The purpose of the study is to explore the social and psycho-emotional influence of traditional Chinese national symbols on the contemporary wall-paintings in Chinese public art as the synthesis of aesthetics and politics expressed in fine art. The scientific and practical significance of the study lies in the description of the influence of traditional wall-painting and Western art styles on modern Chinese public art. The group of respondents consisted of 96 students and teachers from Chinese art universities. The researchers used the method of expert assessments (semi-structured interview with the use of a special questionnaire), the ‘Health, Activity, Mood’ method and the D. V. Liusin method for determining the level of emotional intelligence. Having analysed the study results, the researchers proved the hypothesis that the use of traditional national symbols in contemporary Chinese public art is a factor that determines the artistic, psycho-emotional and ideological impact of this art form.
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