Abstract
Etude de la structure narrative cubiste de l'oeuvre de N. Leskov intitulee «Le peuple des cathedrales» (1872). En rupture avec la tradition litteraire du XIX siecle, et en avance sur la forme experimentale de la peinture du debut du XX siecle, l'A. montre que l'ouvrage de Leskov est une chronique non-conventionnelle qui multiplie les perspectives visuelles et bouleverse la fonction du narrateur.
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