Abstract
This paper addresses the question of how to account for the distinction between narrator-creating and narrator-neutral narration from a linguistic perspective. I first take issue with the approach by Eckardt (2015), according to which narrator-neutral narration is due to a lack of knowledge about the narrating situation; specifically, I raise an existence problem, an anthropomorphism problem, and a tense problem. Second, combining ideas of the Institutional Theory of Fiction as described by Walton (1990) and Köppe/Stühring (2011) and formal tools of Attitude Description Theory as developed by Maier (2017), I propose an imagination-based alternative account of narrator-neutrality. According to this, the distinction between narrator-creating and narrator-neutral narration is captured by optional existential binding of a narrating situation and a narrator in an imagination component of an interpreter’s mental state. Particular attention is paid to the semantics of the German preterit in fictional narratives. On the one hand, I confirm the famous hypothesis by Hamburger (31977) and her successors in German linguistics that the preterit licenses an atemporal reading and thus an interpretation that eliminates the grammatical need for a narrating situation within the fiction. On the other hand, I reject the prevailing assumption that the preterit in its atemporal reading marks the fiction as such. In lieu thereof, the preterit is argued to instruct interpreters to imagine the story from the perspective of a distant observer.
Highlights
Narrative discourse structures in literary texts can typically be distinguished by whether they suggest the fiction of a narrator or not
This paper addresses the question of how to account for the distinction between narrator-creating and narrator-neutral narration from a linguistic perspective
I first take issue with the approach by Eckardt (2015), according to which narrator-neutral narration is due to a lack of knowledge about the narrating situation; I raise an existence problem, an anthropomorphism problem, and a tense problem
Summary
Narrative discourse structures in literary texts can typically be distinguished by whether they suggest the fiction of a narrator or not. C. = {c: the given story could be told in c about WORLD(c) by SPEAKER(c) at TIME(c); in WORLD(c), SPEAKER(c) is looking out of the window at TIME(c) and it is raining the day before TIME(c)} According to this stepwise procedure, each piece of information reduces the set of potential utterance contexts c and thereby enriches our image of the fictional story.. By contrast, provides rather inconspicuous information about the narrator; under the standard temporal interpretation of tense, its contribution to the narrating situation is grammatically encoded and an infallible indication of its existence Against this background, Eckardt defines her notion of narrator-neutrality as follows. I will call attention to three problems with the approach: an existence problem, an anthropomorphism problem, and a tense problem
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
More From: Zeitschrift f\xfcr Literaturwissenschaft und Linguistik
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.