Abstract

This paper addresses the question of how to account for the distinction between narrator-creating and narrator-neutral narration from a linguistic perspective. I first take issue with the approach by Eckardt (2015), according to which narrator-neutral narration is due to a lack of knowledge about the narrating situation; specifically, I raise an existence problem, an anthropomorphism problem, and a tense problem. Second, combining ideas of the Institutional Theory of Fiction as described by Walton (1990) and Köppe/Stühring (2011) and formal tools of Attitude Description Theory as developed by Maier (2017), I propose an imagination-based alternative account of narrator-neutrality. According to this, the distinction between narrator-creating and narrator-neutral narration is captured by optional existential binding of a narrating situation and a narrator in an imagination component of an interpreter’s mental state. Particular attention is paid to the semantics of the German preterit in fictional narratives. On the one hand, I confirm the famous hypothesis by Hamburger (31977) and her successors in German linguistics that the preterit licenses an atemporal reading and thus an interpretation that eliminates the grammatical need for a narrating situation within the fiction. On the other hand, I reject the prevailing assumption that the preterit in its atemporal reading marks the fiction as such. In lieu thereof, the preterit is argued to instruct interpreters to imagine the story from the perspective of a distant observer.

Highlights

  • Narrative discourse structures in literary texts can typically be distinguished by whether they suggest the fiction of a narrator or not

  • This paper addresses the question of how to account for the distinction between narrator-creating and narrator-neutral narration from a linguistic perspective

  • I first take issue with the approach by Eckardt (2015), according to which narrator-neutral narration is due to a lack of knowledge about the narrating situation; I raise an existence problem, an anthropomorphism problem, and a tense problem

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Summary

Introduction

Narrative discourse structures in literary texts can typically be distinguished by whether they suggest the fiction of a narrator or not. C. = {c: the given story could be told in c about WORLD(c) by SPEAKER(c) at TIME(c); in WORLD(c), SPEAKER(c) is looking out of the window at TIME(c) and it is raining the day before TIME(c)} According to this stepwise procedure, each piece of information reduces the set of potential utterance contexts c and thereby enriches our image of the fictional story.. By contrast, provides rather inconspicuous information about the narrator; under the standard temporal interpretation of tense, its contribution to the narrating situation is grammatically encoded and an infallible indication of its existence Against this background, Eckardt defines her notion of narrator-neutrality as follows. I will call attention to three problems with the approach: an existence problem, an anthropomorphism problem, and a tense problem

Existence problem
Anthropomorphism problem
Tense problem7
Grammatical reasons for the feasibility of an atemporal preterit
Temporal adverbials and atemporal preterit
Interim conclusions
Outline of an imagination-based approach to speaker-neutrality
The semantics of the epic preterit
The epic preterit as fake tense?
The epic preterit as an instruction to imagine from a distance
Conclusion

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