Abstract
This paper is a conceptual study of onomastics in the writings of Yoruba dramatists, focusing on a number of areas such as naming and cultural observance; naming and history; and naming, punning, and name-play. The study reveals that Yoruba playwrights, in general, make good use of names and naming to express opinions or make philosophical comments regarding characters and roles assigned to them. Furthermore, the research suggests that names selected by Yoruba playwrights serve as windows into their artistic methods, reflecting the playwrights’ maneuvering hands, their intentions, their frameworks, and their literary superstructures. Names, therefore, help to identify character types, reflect philosophical and moral positions that characters represent, and provide clues to the meaning of texts. This paper then concludes that names, for Yoruba playwrights, are not mere ornamental devices, but rather vital aspects of their literary art.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.