韩中古代小说文法论之比较

Abstract

“Grammar”(文法) is a technique for creating novels.The prefaces and postscripts (comments) of the novels of the Ming and Qing Dynasties in China have made a penetrating summary of the novel grammar, especially Jin Shengtan(金圣叹), Zhang Zhupo(张竹坡), Mao Zonggang(毛宗岗), Zhi yanzhai(脂砚斋) and many other critics, making the grammar theory occupy an important position in the whole novel theory. In the theory of novel grammar, a series of grammatical terms have been formed. The same point of the grammar theory of Korean and Chinese ancient novels is that both countries have introduced the terms of Theory of painting, and the novel critics of both countries have used Theory of painting and painting terms for reference. The influence of “painting theory”(画论) in the grammar of novels in both countries is mainly reflected in the vivid effect and ink skills. It is reasonable to introduce painting theory and painting terminology into the “grammar theory” in the preface and commentary of Korean Chinese novels.The application of Theory of painting to the field of Literary criticism has broken through the understanding level of Literary criticism.