Abstract
This article analyzes the development context, technological changes, and aesthetic forms of contemporary Jingdezhen carved flowers, and explores their current development status. The interactive relationship formed between technology and aesthetics reflects the integration of other fields with ceramic art, as well as the inheritance and innovative forms of carved flowers. Through comparative analysis of technology and art, the article proposes an innovative path for carved flowers with aesthetics and materials as the core and inheritance and introspection as the soul.
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