Abstract
AbstractMany of the 1970s’ drawings of Lebbeus Woods feature disguised human form. The most classical physiognomies maintain links with a primordial, even reptilian antipode. Lawrence Rinder, Director Emeritus of the University of California, Berkeley Art Museum and Pacific Film Archive, explores the manifestations of figure in Woods's private mythology, and points to the uncanny synergy of its themes and compositions with works by Giambattista Tiepolo.
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