Abstract
AbstractThe contemporary world is so dependent on the virtual, with its constantly morphing and invisibly magical potentialities, that it is somewhat paradoxical that the speculative, explorative aspect of architectural drawing is so undervalued in this context. The profession's computerised quick‐fix, feed‐me, satisfy‐me normative mentality has limited truck with the intangible. Peter J Baldwin writes an ode to the phantasmagorical and the ephemeral, citing it as a useful tool to enhance and liberate the creative design mind. Allied with tactics of re‐reading and post‐rationalisation, he constructs a spectral ‘machine’ for making work.
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