Abstract
Since its onset in the 1980s, literature has responded to the HIV/AIDS pandemic with works that testify to the devastating loss imposed on millions of people worldwide. After the implementation of effective antiretroviral treatment (ART) in the mid-90s, however, contemporary experiences of HIV might be expected to diverge their attention from grief and mourning to more “positive” emotions. The aim of this paper is to consider such a potential paradigm shift among new generations of HIV+ people with access to ART. To do so, it explores Danez Smith’s lyric approach to a 21st-century racialized experience of HIV, attempting to read it as constructive rather than destructive, without leaving intersectionality aside, in light of both Afropessimism and Queer Optimism.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: 452ºF. Revista de Teoría de la literatura y Literatura Comparada
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
