Musical analysis of Sardool Sikander’s Songs

Abstract

Abstract: The people of Punjab have always had a flamboyant nature. Here, people dance, sing, and celebrate on every joyous occasion. Each festival in Punjab has its own unique traditions that form the basis for music and songs. Even during weddings, various types of songs are sung. In Punjab, people from all religions live together harmoniously. Each religion has its own traditional music and songs. At religious places, people sing religious songs related to their faith, like Qawwalis and Sufi music at the shrines of saints. In Hinduism, devotional songs related to deities are sung during Jagrans or birth festivals. In Christianity, hymns related to Jesus and Psalms are sung. Similarly, in Sikhism, Shabad Kirtan, Kavishri, and Vaars related to Gurbani are performed. It can be succinctly said that even though the people here are deeply religious, they are also closely connected to music. There has always been immense love and respect for musicians among the people of Punjab. This is why Punjabi music has flourished not only in India but also abroad. Over time, many artists have entertained people through their music. Even before the era of recordings, artists have contributed significantly in elevating Punjabi music to new heights. In the culture of Punjab, where men have received honor and respect in every field, they have also continued to showcase their singing prowess over time and have earned fame, including Asa Singh Mastana, Shri Lal Chand Yamla Jatt, Sukhjinder Shinda, Kuldeep Manak, Padam Shri Puran Chand Wadali, Gurdas Maan, Padam Shri Hansraj Hans, and Sardool Sikander. The subject of the research paper below is a musical study of Sardool Sikander Ji’s singing. Keywords: Singing, Punjab, Raag, Taal, Rhythm, Song.