Abstract
This artistic research project combines an exploration of natural history conservation at the Norwegian University of Science and Technology and museology at Museene i Sør-Trøndelag. The exposition is structured around Field Notes: qualitative records of my observations. Taking an ethnographic and interpretive phenomenological approach, I argue my hypothesis through the subjective experiences of the living, as well as the living dead. Drawing a correlation between the utilitarian subjugation of the animal-other and loss of biodiversity, I posit that the re-presentation of animal materialities in art and artefacts has the potential to re-form culture in the time of the sixth extinction.
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