Abstract
Picaresque literature is known for several specific traits: 1) firstperson narration and the protagonist’s struggle for survival and a better life; 2) the chaotic childhood, outsiderdom, and low social class of the main character; 3) frequent role changes or disguises; and 4) an inconclusive ending. This article traces the muddled genealogy and subsequent chaotic lives of four picaros : Lazarillo de Tormes, Quevedo’s Pablos de Segovia, Bellow’s Augie March, and Defoe’s Moll Flanders.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
