More about monaural noise edge pitch

Abstract

Lowpass noise with a sharp spectral cutoff generates a monaural noise edge pitch (MNEP) that listeners match with a sine tone having a frequency somewhat below the noise cutoff frequency (negative pitch shift). If the MNEP is a proper musical pitch, listeners should be able to identify musical intervals made using only the MNEP stimulus. Open-set MNEP experiments in the edge-frequency range of 600-2400 Hz found that four out of four listeners with musical training correctly identified octaves, fifths, fourths, and major thirds, proving that the MNEP is a musical pitch. The MNEP can be heard for edge frequencies at least as low as 100 Hz, but the negative pitch shift becomes larger than a semitone, consistent with a timing model of the MNEP having a fixed integration time. If the MNEP reflects the expected quasi-periodic timing response of the auditory system to a sharp spectral edge, the pitch should become inaudible if the edge frequency becomes too high for neural synchrony—expected to be about 5000 Hz. Sine tone pitch matching experiments showed that such a limit clearly applies for most listeners, but less clearly for others. [Work supported by the USAFOSR.]