Abstract

The major research objective was to analyze the role of monuments in the formation of local residents’ and guests’ representations about the city, its history and traditions. The authors consider the system of monuments’ location in the urban space as a way of its social construction, as the system of influence on citizens’ aesthetic feelings, as the formation of their attitudes towards maintaining of continuity in the activities of different generations for the improvement of the territory of their permanent residence.Methodology. An urban monument is considered in two ways: as a transfer of historical memory and as a social memory transfer, which includes the experience of previous generations. One of the main provisions of the study is the idea that monuments can lose their former social value, transforming into “simple” objects of a public place. The study was conducted in the city of Yekaterinburg, one of the largest, cultural, scientific and industrial Russian megalopolises in 2015. The primary data was collected using standardized interviews. Four hundred and twenty respondents at the age of and above 18 were questioned on the basis of quota sampling. Interviews with respondents were conducted in order to identify key problems involved and reasons for shaping respondents’ representations of monuments in the urban environment typical for the population of Russian megalopolises. The standardized interview guide included 15 questions.Findings and discussion. Our investigation has revealed that different monuments fulfil various functions in an urban environment (ideological, aesthetic, transferring, valuable, etc.). The study has unequivocally confirmed that objects in the urban space have a different emotional colour background: people paint them in accordance with the feelings that arise in their perception. Hence, some monuments effectively fulfil the functions of social memory transfer: they are remembered, they tell us about the events to which they point. Other monuments in the physical space remain in citizens’ consciousness only as a point on the map of the city.It has been found that “old” and “new” monuments as semantic points of the urban space have an ambiguous perception and a significance for the citizen: some monuments are inscribed in mental maps, while others are ignored or their appearance is condemned.

Highlights

  • One of the main principles of sustainable development of the urban environment is the creation of comfortable living conditions for the population and its successful self-organization based on the effective use of the economic, geographical, administrative and political potential of the city and the region

  • We have demonstrated the feasibility of these methodological provisions by investigating the role of different kind of monuments in the urban environment and their perception by the population of Yekaterinburg

  • The study has shown an ambiguous perception of monuments by different social groups of citizens in Russian megalopolis

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Summary

Introduction

One of the main principles of sustainable development of the urban environment is the creation of comfortable living conditions for the population and its successful self-organization based on the effective use of the economic, geographical, administrative and political potential of the city and the region. Social memory is an institutional formation that is created by individuals, communities and groups that reproduce material and spiritual values in the field of value-semantic consensus. It structures and organizes a particular social space through a system of state structures (museums, libraries, etc.), through objects (monuments), through information systems. Social memory is a system of values, conditions and results of socio-cultural practices of individuals and groups. It refers to the experience, traditions of past generations and tries to internalize this experience by today's generation. The city becomes a symbolic space (monuments, temples, housing, etc.) because individuals fill certain semantic points with their specific symbols

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