Abstract
The aim of the research was to examine whether the perceived artistic value of the paintings can be predicted by perfectionism and awe, as well as with the modes of aesthetic processing (H - harmony and R - redundancy). The convenience sample was used and it consisted of 92 respondents (Nmale = 10, Nfemale = 82), with average age of 24.65 years (SD = 6.89). Following instruments were used: Scale of Positive and Negative Perfectionism, Awe Experience Scale and semantic differential scales used to assess harmony, redundancy and distance, as well as the perceived artistic value. Stimuli were paintings from nine artistic movements: Renaissance, Romanticism, Impressionism, Expressionism, Post-impressionism, Fauvism, Cubism, Abstract Art and Surrealism. For each of these movements three paintings of one most prominent representative were chosen (omitting the most famous pieces) in order for the quality of artwork to be uniform. Hierarchical linear regression was used for data analysis. Predictors in the first step were modes of aesthetic processing (H and R), perfectionism in the second step, and subscales of awe were added in the third step. The criterion is artistic value. The model composed of H and R explains 26% of the total variance of artistic value (p < .01). The suscales of perfectionism and awe do not make a significant contribution to prediction. A statistically significant single predictor is R, redundancy (β = .39, t = 2.59, p = .01). The potential existence of mediation was also examined; however, the results of the analysis indicate that there is no statistically significant mediator effect. Keywords: perfectionism, awe, modes of aesthetic processing, Harmony, Redundancy
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