Abstract

Aesthetics is the study of people's perception and experience of heaven, earth and man and all things. Environment and landscape are the most important perceptual manifestation of ecosystem. How this perceptual manifestation affects human mind needs to be answered by aesthetics. It is not only possible but also necessary to study ecosystem from the perspective of aesthetics. Taking the ecological aesthetics of the English world as the main research object, this paper studies the three main approaches to the construction of western ecological aesthetics, which are philosophical speculation, ecological art theory and environmental practice. This study shows that: the interaction between ecological aesthetics and ecological art makes ecological aesthetics become the universal aesthetics of all aesthetic objects (including environment and Art), so as to distinguish it from environmental aesthetics more clearly. Strengthening the interaction between aesthetics and ecological aesthetic experience can make the connotation of ecological aesthetics more profound and clear. The results of this study have a certain reference value for the study of modern western ecological aesthetics from the perspective of aesthetics.

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