Abstract

ABSTRACT By mid-twentieth century, liberal thought was in crisis. Its victory over fascism ill concealed the empty promise at the heart of liberalism, that freedom defined as an absence of compulsion could substitute for a sense of human purpose. Non-western writers saw this as clearly as Camus, Arendt, Niebuhr, and Marcuse did. This essay regards Naguib Mahfouz’s 1965 novel, The Beggar, as a bid to critically intervene in debates around the crisis of liberal thought. It departs from approaches that see The Beggar as a thematization of political, Existentialist or Sufi discourses. Employing a close-reading method, it shows how the text ironizes its high-profile protagonist’s mid-life crisis and quest for spiritual awakening. Analysis reveals that ostensibly secondary female characters, especially the protagonist’s fourteen-year-old daughter, are part of a palimpsestic subtext that thematizes Christian–Muslim-Christian conversion and the potential role of faith as a corrective to the nihilistic void at the heart of liberal thought.

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