Modern African Literature and Cultural Identity

Abstract

Modern African literature has gained recognition worldwide with such classics as Chinua Achebe's Things Fall Apart, Ngugi wa Thiongo's Weep Not Child, and Wole Soyinka's Death and the King's Horseman. This recognition was reinforced by Soyinka's winning of the Nobel Prize for Literature in 1986. Modern African literature is written in indigenous African languages and in European languages used in Africa. Written African literature is very new compared to the indigenous oral tradition of literature which has been there and is still very much alive. While there are literary works in Yoruba, Hausa, Zulu and Sotho, among others, this literature in African indigenous languages is hardly known outside its specific linguistic frontiers. Writers such as Mazisi Kunene, Ngugi wa Thiongo and the late Okot p'Bitek first wrote some of their works in African languages before translating them into English. Most African writers, however, write in English, French, and Portuguese. There is the Eurocentric temptation to see modern African literature written in these European languages as an extension of European literature. However, after modern imperialism, language alone cannot be the sole definer of a people's literature.