Abstract

In 1986, Uruguay’s maximum security Punta Carretas Prison closed following a riot in the context of Uruguay’s transition from authoritarian civic-military dictatorship (1973-1985) to constitutional democracy. In 1994, the building reopened as Punta Carretas Shopping, one of Uruguay’s most luxurious shopping malls. In this article, I show how two site-specific installations at the prison-mall—the temporary photography exhibition, Brava: Memoria fotográfica de Punta de las Carretas (2019) and the permanent memorial installation, Memorial Ex Penal de Punta Carretas (2020)—put forth distinct versions of the past to shape the memory of Punta Carretas. I call these mnemonic interventions because they interrupt the shopping trip and divert attention away from leisure and consumption toward remembrance, provoking the shopper to engage with the space of the former prison and its history. I demonstrate how different stakeholders struggle over memory in Uruguay in a context in which impunity undermines efforts toward truth and justice. Mnemonic interventions at Punta Carretas Shopping reveal the ongoing struggle over how the past should be remembered in Uruguay decades after the transition to democracy, showing the impact of recent transitional justice policies to demarcate sites of memory and resistance.

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