Abstract
This article focuses on the representation of Canadian prisoners of war in Alan Cumyn’s Great War novel The Famished Lover (2006). Relying on historical sources, I attempt to show how the experience of captivity, marginalized for a long time in historical research, alters our understanding of the First World War and the evolution of forced labour in the twentieth century. I approach Canadian POWs as missing persons, disappeared in the biopolitical regime of the POW camp, the post-war discourses of commemoration, and the gaps in cultural memory. The article explores Cumyn’s representation of the camp as a biopolitical space and the production of the POW as Agambenian bare life. Central to the analysis are issues of trauma, masculinity, and heroic defiance. I also engage with the long-lasting sequelae of captivity, as well as the difficult reintegration of the returned POW, based on the example of the protagonist of the novel.
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