Abstract

ABSTRACT This paper was inspired by the incomplete story of Englishwoman Isabel ‘Jack’ May (1875–1970), a media sensation from 1905 to 1912 because she was a ‘lady farmer’, wore ‘male attire’ and adopted the name ‘Jack’. Already well-known in England, May’s celebrity was enhanced when she purchased land in Alberta, Canada in 1911, where she farmed with a female companion. In late 1912 however, May sailed to England, never to return, and disappeared from public view. In Sarah Carter’s 2016 book Imperial Plots, May’s fate was a mystery, but Carter surmised May did not feel welcome in the Canadian West where gender transgressors were shunned. The authors, inspired by Laite’s ‘small history in a digital age’ methodological approach, discovered a deeper, richer and more complex life history. This paper reconstructs May’s life and analyses the intense media scrutiny which positioned her as an aberration against traditional femininity to understand more about the lives of other non-conforming women of this period. While we argue that May was not transgender, rather living openly as a cross-dressing woman, her self-identification as ‘farmer’ and decision to spend her adult life with same-sex companions, offers an alternative view of trans and queer ‘spaces of possibility’.

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