Abstract
ABSTRACT This article seeks to untangle the relationship between religion, humour, and feminism by analysing the humour which underscored the campaign for women’s ordination in the Church of England. By examining the wordplay, the cartoons, and the physical objects through which humour was expressed, this article highlights the creativity which underscored the activism of these lesser-known activists. Through centring the experiences of these religious activists, this article extends existing scholarly conversations which seek to diversify understandings of who and what should be considered part of the ‘women’s movement’.
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