Abstract

With the trend of economic globalization and under the background of China's film industry reform, Inner Mongolian films have ushered in a new transformation space since the new century. The focuses of Inner Mongolian films have gradually been to watch the local ethnic culture, describe the pains and anxieties brought about by social transformation, and pay attention to the spiritual world of human beings. Among the description of personal memory, the reappearance of national discourse and the examination of the depiction of national spirit, Inner Mongolian films have shown their own image characteristics, different national characteristics and colorful national customs, which make Inner Mongolia national films possess their own charm while presenting their local temperament.

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