Abstract
ABSTRACT: This essay sets out to study the narrative projects of Miguel de Unamuno and Andre Gide from a comparative angle. Starting from Unamuno's Como se bace una novela and La novela de Don Sandalio, jugador de Ajedrez, on the one hand, and Gide's Faux-Monnayeurs and Journal des faux-monnayeurs, on the other, I examine the relationships that prevail within these authors' respective ceuvres and analyze a number of psychological traits associated with their uses of diary writing and the mise en abyme.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
