Abstract

In this historiographical essay, the "authorship trajectory" of the black writer Carolina Maria de Jesus (1914-1977) and her contact with the universe of reading and writing are first approached, through a documentary panorama about her manuscripts that were edited and published in the form of books. The press "discovered" Carolina Maria de Jesus in the 1960s, but Brazilian historiography was "a lady of forgetfulness" as it took more than three decades to produce research on the restless black writer of the twentieth century. Next, the narratives and the cultural aspects that go through the elaboration of an "archived memory" are problematized; first in the manuscript diaries and then in the literary field and the historical culture. The "black cinderella" senses, identity and belonging traits are problematized through dialogues with her biographers and through the recent research in the field of Cultural Studies. Finally, we present the theoretical-methodological approach used in this study, inserting the Carolinian narrative in the reflection on trajectory, experience and black authorship.

Highlights

  • "MY BROTHERS IN COLOR SKIN": TRAJECTORY, EXPERIENCE AND BLACK AUTHORSHIP IN THE WORK OF CAROLINA MARIA DE JESUS (1914-1977)

  • The press "discovered" Carolina Maria de Jesus in the 1960s, but Brazilian historiography was "a lady of forgetfulness" as it took more than three decades to produce research on the restless black writer of the twentieth century

  • We present the theoretical-methodological approach used in this study, inserting the Carolinian narrative in the reflection on trajectory, experience and black authorship

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Summary

Introduction

"MY BROTHERS IN COLOR SKIN": TRAJECTORY, EXPERIENCE AND BLACK AUTHORSHIP IN THE WORK OF CAROLINA MARIA DE JESUS (1914-1977). E em gentis gestos de resistência para consigo mesma, na solidão de sua escrita, ela grafou e gravou no seu diário a afirmativa: eu adoro a minha pele negra, e o meu cabelo rústico, em consonância com vozes africanas e da diáspora de que ser Black is beautiful”

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