Abstract
Abstract This article discusses the veneration of Metropolitan Petr of Kyiv and all Rus’ in 14th–16th century Moscow. It focuses on the shifting roles attributed to his tomb in the Dormition Cathedral, from locally developed veneration, to a source of ecclesiastical legitimacy. In the first section, I trace the cult’s development from the earliest hagiographical writings to posthumous miracles included in chronicle writing and artistic representations of Petr’s activity as an icon painter. The second section examines a possible attempt at ritual building for local appointments of metropolitans, after 1448, revolving around Petr’s tomb. I argue that Petr’s saintly image was purposely shaped over two centuries from a wonderworking saint to also a military protector of the city and a prototype of the legitimate metropolitan of all Rus’. Although his tomb did not receive a permanent place in enthronement ceremonies, in the 16th century it became synonymous with the seat of the metropolitan, and played a major role in the subsequent veneration of a correct line of ecclesiastical successors buried in its proximity.
Published Version
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