Abstract

‘‘Listen first to those who, like myself, did not have to watch TV to know that SOME of L.A. was burning,’’ Derrida wrote to a newsletter in response to the riots triggered by the Rodney King events in 1992, adding, ‘‘L.A. is not anywhere, but it is a singular organization of the experience of ‘anywhere’’’ (‘‘Faxitexture’’ 28). At a time when one hardly needs to watch TV to know that many cities around the world are burning, or are targeted and wounded, bombed and invaded—as if the Biblical injunction, ‘‘Then ye shall appoint you cities to be cities of refuge for you’’ had turned against itself, or had suspended itself, thereby converting cities of refuge into sites of intense hostility—it would be pertinent to recall the many illuminating texts Derrida has composed on cities and how deconstruction is inextricably related to burning, cinders, ashes, ruins, haunting, dissemination and destruction, and at the same time to rebuilding, inheriting, maintaining (maintenant), opening, reconstructing and welcoming. At the same time, it is precisely his evocation of the city as a place of refuge modeled after a certain messianicity, if not messianism, that exposes his own texts to a rigorous rethinking and critique. A number of fascinating readings have been done on Derrida’s concept of hospitality, yet hardly anything has been written on the theme of the city in Derrida, even

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