Abstract

The objective diagnosis of aptitudes began to be based on scientific bases in the first quarter of the current century. The aim was to measure aspects or variables fundamental to activity, such as tone or height of sounds, intensity or force, time or duration, as well as rhythm and tonal memory. Aspects not related precisely with aesthetic variables of musical delight, nor with the question of whether the subject likes or not the music. Nor do they have anything to do with motor skills specifically required for various forms of instrumental interpretation.

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