Abstract
Versailles memory has been a cornerstone of the traditional paradigm of lieux de mémoire. However, its transnational dimension has never been fully explored. Covering more than three centuries, this article identifies three antagonistic patterns of transnational Versailles memory that carry ambivalent references to ‘Europe’: war versus peace; monarchical versus republican legitimization; and universalistic versus particularistic conceptions of power. Actors referred to Versailles’ architecture to substantiate their positions toward French hegemonic ambitions: from counter-buildings by the Sun King’s rivals; political redefinitions during changing regimes after 1789 via Franco-German rivalries in the War of 1870; international reactions to the Peace Conference in 1919; and up to Versailles as a World Heritage Site. Analysing these three constitutive patterns, this article challenges the dominant Franco-centrist Versailles master narrative as non-French actors contested such hegemonic views. References to Versailles as a symbol of both American and Brazilian national independence also bring out global dimensions of Versailles memory.
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