Abstract
This article presents ten Chilean female narrators who started publishing in the year 2000. An analysis revealed the predominance of a feminine self on a permanent crisis of representation, which is constructed through a constant exercise of memory oriented towards the reconfiguring of its identity. This narrative confirms that the female subject is a differentiated entity in the face of the masculine, and that it is in a constant process of insubordination despite all of that which keeps her from surviving in a postutopian context where all she has left to do is make sure she survives the day-to-day.
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