Abstract
Maritime performance inherently links to economies of commerce. Its history and practices reorient theatre within broad frames of transnationalism. Maritime performances – theatre, music and dance activities on ships, along shipping routes or within port environments – immerse participants in interactive cultural play. This article uses the lens of the cruise industry as a microcosmic study of identity formation through maritime performance praxis. Performances at sea enable roleplaying of passengers and crewmembers, activating all sectors of the ship. Collectively sea acts pass time, provide a forum for recognition of talent, and allow for cultural exchanges across social boundaries. The maritime subject considers the port as a temporary layover point before the next long journey. For maritime performers, notions of voyage and destination invert. Knowledge travels in circles when performers ride ocean currents and old histories resurface within contemporary practices. Megaships support performance economies where the voyage dominates even as economies of power persist.
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