Abstract
Abstract Among present creative practices, I feel two important criteria stand out: one is the crossover of different cultural and media elements in dialogical contexts; the other is the interaction of different views, attitudes and realities in processes of interactivity and virtuality wherein we experience variety and diversity beyond and across the dominant modes of homogenizing difference. Critical engagement beyond such polarities keeps cultural dialogue alive and inhabits the in-between zones with dynamic interaction in media landscapes. In this respect, radical artists′ practices will manifest themselves as creative interventions.
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