Mediating Whiteness: Triangular Racialization in the Anglo-Indian Picaresque

Abstract

This article takes up the social production of race in nineteenth-century India through picaresque fiction. Through readings of Rudyard Kipling, Dion Boucicault, and W. M. Thackeray, it shows how picaresque form served as a specific mechanism of racial stabilization, a means of producing a consciously stopgap racial binary through the intervention of a third, triangulating racial term: Irishness. Understanding the triangular structure of whiteness’ “shapeshifting” brings into sharper relief the connections between three important scholarly foci regarding race in India: the ambiguous and fluid boundaries of Anglo-Indian whiteness, the belated assignment of “blackness” to native Indian populations, and the constant resignifications of Irish identity that demographic overrepresentation in India entailed. The case study of the picaresque reveals an imperialist culture more strategic and more self-aware about its own racial construction than is sometimes supposed; the genre served as a key means by which nonmetropolitan colonialist Victorians theorized and constructed their own relation to whiteness.