Abstract

On the example of iconic foreign festivals “Ars Electronica” (Linz, Austria), “Transmediale” (Berlin, Germany), “Gamma”(St. Petersburg, Russia) and domestic — “KIMAF” “Carbon Media Art Festival”, “Carbonarium” (Kyiv Ukraine) (Kyiv, Ukraine), “Nonstopmedia” (Kharkiv), “Transformer” (Lviv, Ukraine), “Terra Futura” (Kherson, Ukraine), “Hamselyt “ (Ternopil, Ukraine); analyzed the festivalformat as the most suitable for experimental synthesis of different types of media art, including in post-industrial locations.

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