Abstract
Introduction Capitalists, Castrators and Criminals: Violent Masters and Slaves in Wilkie Collins's The Women in White 'Servants' Logic and Analytical Chemistry Intellectual Masters and Servants in George Eliot and Charles Dickens Slaveholders and Democrats: Combined Masters and Slaves in Thomas Carlyle, Charles Dickens's American Notes and Frederick Douglass's Narrative Heroes, Hero-Worshippers and Jews: Music Masters, Slaves and Servants in Thomas Carlyle, Richard Wagner, George Eliot and George Du Maurier Stump Orators, Phantasm Captains and Mutual Recognition: Popular Masters and Masterlessness in Dickens's Hard Times and Thomas Carlyle's Stump-Orator Afterword, After Slavery, After Shooting Niagara Bibliography Endnotes Index
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