Abstract
The war that changed us, produced by Electric Pictures, directed by Don Featherstone, and co-written by Don Featherstone and Clare Wright, aired on ABC1 in July 2014. This essay reflects on the role of the professional historian in the process of developing and writing a four-part television documentary series to commemorate the centenary of World War I. It explores the conflicts and collaborations required to bring to the small screen an enormous story with huge implications for current political debates about remembrance, patriotism and the function of the national broadcaster.
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