Abstract
The analysis of W. Shakespeare’s “The Winter’s Tale", directed by Tamás Major in 1969, uses the Philther methodology. The paper has six chapters, each of which examines the play from a different point of view. Major’s The Winter’s Tale is particularly interesting because, apart from this performance, there was no other example of a Hungarian guest director directing at a Romanian theatre until the 1989 regime change. Another important fact about this show: it is one of the first moves made by Mária Bisztrai as a director, who happens to be the first and only female director at the Cluj-Napoca Hungarian theatre. The setting can be seen as the canvas for the Budapest performance similarly directed by Major.
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