Abstract
While conspiracy theories have traditionally received attention from the Turkish public and political elite, recently, however, they have proliferated when explaining complex situations. This paper examines conspiracy theories in Turkey and the role of entertainment media, specifically the popular period drama, Payitaht: Abdülhamid, in mainstreaming conspiracy theories. Payitaht: Abdülhamid, as an ideological state apparatus, repurposes anti-Semitism as salient conspiracy theories by creating scapegoats and existential others. This paper argues that the state uses entertainment media to disseminate conspiracy theories and, in effect, endorses anti-Semitism. As a result, anti-Semitism has transformed from a marginal movement to a mainstream movement.
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