Abstract
The present paper aims to capture the position of a woman in male dominated culture and how she is owned as property in Mahasweta Devi's short story "Draupadi". In this story she raises her voice against the Indian feudalism and talks about the ingratitude of government. There are three stories in Breast stories translated by Gayatri Chakravarty Spivak named "Draupadi", "Breast Giver" And "Behind the Bodice." All these stories have a theme of exploitation and patriarchy. In Draupadi, Devi speaks about the violence faced by its protagonist Dopdi Mejhen.
Highlights
SMART MOVES JOURNAL IJELLH not made for the sake of politics
The present paper aims to capture the position of a woman in male dominated culture and how she is owned as property in Mahasweta Devi's short story "Draupadi"
There are three stories in Breast stories translated by Gayatri Chakravarty Spivak named "Draupadi", "Breast Giver" And "Behind the Bodice." All these stories have a theme of exploitation and patriarchy
Summary
SMART MOVES JOURNAL IJELLH not made for the sake of politics. I want to change in the Present social system and do not believe in mere party politics. “(4). Mahasweta Devi's Draupadi: Resonances of Patriarchy, Crime and Confrontation Abstract The present paper aims to capture the position of a woman in male dominated culture and how she is owned as property in Mahasweta Devi's short story "Draupadi". There are three stories in Breast stories translated by Gayatri Chakravarty Spivak named "Draupadi", "Breast Giver" And "Behind the Bodice." All these stories have a theme of exploitation and patriarchy.
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