Abstract
From 1896 to 1913, the Berlin municipality embarked on an ambitious programme of social reform, constructing over 300 public service buildings, including schools, hospitals, aged care homes, baths, and sporting facilities. Under the direction of Stadtbaurat Ludwig Hoffmann, the architecture of this new social infrastructure came to play a crucial role in conveying the city’s progressive image. While the eclectic historicist lexicon Hoffman drew on troubled many of his critics, he was also lauded for his ability to cast those historicist instincts into a more democratic mould. This article examines Hoffmann’s buildings in the context of changing debate over Berlin’s identity, focusing on those designed for healthcare and physical wellbeing. While Hoffmann’s architecture expressed a powerfully democratic notion of the urban collective, towards the end of his career, critics began to read a distinct paternalism in his designs that they saw as out of touch with social reality.
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