Abstract
This paper analyzes the process of domestication of the African natural environment, as portrayed in Kenyan writer and critic Ngugi wa Thiong’o’s Petals of Blood (1991), in order to understand how the novel represents the relation between cultural domination and the economic exploitation of the land and the work force, carried out by the British in Kenya, and detect, in the characters’ trajectories, the existence or not of forms of agency capable of minimizing the impacts of colonialism. My claim is that the novel builds a dialectics between violence and redemption, woven in the narrative through the formation of new subjectivities and the asymmetrical co-existence of different modes of life, to which the natural environment presents opposed values.
Highlights
This paper analyzes the process of domestication of the African natural environment, as portrayed in Kenyan writer and critic Ngugi wa Thiong’o’s Petals of Blood (1991), in order to understand how the novel represents the relation between cultural domination and the economic exploitation of the land and the work force, carried out by the British in Kenya, and detect, in the characters’ trajectories, the existence or not of forms of agency capable of minimizing the impacts of colonialism
My claim is that the novel builds a dialectics between violence and redemption, woven in the narrative through the formation of new subjectivities and the asymmetrical co-existence of different modes of life, to which the natural environment presents opposed values
Em dado momento histórico, a luta se deu em nome da independência da nação, agora o inimigo é menos evidente, pois não consiste em um opositor específico que governa e dita as leis, mas sim em um novo modo de produção que modifica aos poucos as relações humanas, a relação do homem com a terra e, por consequência, a própria vida tal como concebida pela comunidade
Summary
This paper analyzes the process of domestication of the African natural environment, as portrayed in Kenyan writer and critic Ngugi wa Thiong’o’s Petals of Blood (1991), in order to understand how the novel represents the relation between cultural domination and the economic exploitation of the land and the work force, carried out by the British in Kenya, and detect, in the characters’ trajectories, the existence or not of forms of agency capable of minimizing the impacts of colonialism.
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