Abstract

In 2021, a top-down rectification movement called ‘Clean Up’ impinged on Chinese idol fandom culture. This movement triggered discussions about the transforming governance strategy over fandom and broader Chinese Internet users. This article explores the complexity and shift of governance on Chinese idol fans by examining the digital fandom fundraising platform Taoba. Drawing from the walkthrough analysis of xiufen (fans of idol competition shows), we investigate three key stakeholders: platform, state, and xiufen fandom, to reflect on wider Internet governance issues in China. We argue that Chinese idol fans like xiufen are subject to a governance structure where power relations between different players are highly complex and entangled. The state-corporate-society co-opting mode of governance has evolved toward what we termed ‘coercive co-opting’, in which digital platforms and users conform with the imaginaries and ideologies of the state, while the authorities still intervene in an intimidating and suppressive manner.

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