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https://doi.org/10.1080/09502380110033564
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Cite Journal: Cultural Studies |  Publication Date: Apr 1, 2001 |
 Citations: 4 |
This essay responds to Luce Irigaray's essentialist call for men and women to assume their proper places in love's division of labour. In it, I propose a queer reading of her call, resituating it as a confining aesthetic for solo performance.
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