Abstract

One way to explore the complexities of senses, cultures and identities is through creativity and in conversations with other artists exchanging experiences or reflecting about personal journeys. I use creative prose, poetry and image-text compositions, for example in the form of postcards or collage. Creative conversations have facilitated an understanding of this country’s complexities, and through this process I can make sense of my surroundings while sustaining a connection with places in Latin America I considered home. In this instance I invited Uruguayan painter Abigail Lutzen, trained in the Constructivist School of paint led by Torres Garcia and Tjanara Jaly Talbot, a young Indigenous woman from Sydney who supports Sydney Action for Juarez, a group that I established with other women to raise awareness about gender violence in Mexico. These are different representations of poetic and visual “feminine sensitivities” showing how we make sense of our immediate cultural environment in solidarity with others and engaging in creative collaborations as women artists.

Highlights

  • In 1994 I travelled to Cuba to spend time with Teatro de Los Elementos, a small theatre company dedicated to community and educational development projects

  • I used to walk from El Vedado to Habana Vieja, sometimes waiting for the sunrise by El Malecón, only to get to the nearest bread shop—panadería—for spare pieces of the morning’s first bread

  • A Postcard: La rosa de los vientos me cuenta que cuatro son los sentidos

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Summary

Introduction

In 1994 I travelled to Cuba to spend time with Teatro de Los Elementos, a small theatre company dedicated to community and educational development projects. Everywhere after sunset was dark and even when part of the city may appear stuck in time, there was no sense of stagnation. I used to walk from El Vedado to Habana Vieja, sometimes waiting for the sunrise by El Malecón, only to get to the nearest bread shop—panadería—for spare pieces of the morning’s first bread.

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