Abstract
Love of Don Perlimplin and Belisa in his Garden is one of the underprivileged works by Lorca’s critics, despite being a piece magnificently achieved. In it, Garcia Lorca uses theater procedures that belong to different genres and tones, in order to destabilize the perception of the represented shares. These mechanisms of estrangement derive in the gradual transformation of the main character and the vision of the world that it projects, as result of a movement that transits from farce to tragedy.
Highlights
En uno de los bocetos de la obra Amor de Don Perlimplín con Belisa en su jardín, Federico García Lorca anotó: «el personaje no se debe dar cuenta de nada, pero sí el público
In it, García Lorca uses theater procedures that belong to different genres and tones
in order to destabilize the perception of the represented shares
Summary
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