Abstract

L’objectif de la presente recherche vise a contextualiser le moment theâtral et social dans lequel s’inscrit la preceptiva de Lope de Vega, Arte nuevo de hacer comedias (1606), et a evaluer les consequences de son application sur le theâtre du xviie siecle. Pour ce faire, l’auteur analyse les changements introduits par Lope et leurs consequences sur la tradition ulterieure en Espagne, qui signifieront pratiquement l’oubli des modeles classiques, en particulier des auteurs de comedie latine.

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